Publications

Books / Edited Collections

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2017. Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement (co-edited with Panas Karampampas). Oxford: Berghahn. 

Reviewed in Social Anthropology / Anthropologie Sociale

2012. ‘In Focus: Greece in Crisis’ (co-edited with Grit Wesser). The Unfamiliar: An Anthropological Journal 2(2), pp. 8–34.

Journal Articles

 

 

 

 

 

 

 

 

 

 

 

 

 

Forthcoming. When Means and Ends Coincide: On the Value of DiY. Journal of Cultural Economy.

 

2016. ‘The Visible Evidence of DiY Ethics: Music, Publicity and Technologies of (In)visibility in Glasgow'. Visual Culture in Britain 17(3), pp. 290–310.

2012. ‘Introduction. In Focus: Greece in Crisis’. The Unfamiliar: An Anthropological Journal 2(2), pp. 8–9.

Book Chapters

2017. 'A Sense of Togetherness: Music Promotion and Ethics in Glasgow'. In Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement (eds) Evangelos Chrysagis and Panas Karampampas, pp. 139–60. Oxford: Berghahn.

2017. ‘Introduction: Collaborative Intimacies’ (co-authored with Panas Karampampas). In Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement (eds) Evangelos Chrysagis and Panas Karampampas, pp. 1–24. Oxford: Berghahn.

Blog Posts

2014. ‘Ethnographic Soundings’. Social Sounds Project.

Book Reviews

 

 

 

 

 

 

 

2018. 'Lowndes, Sarah 2016. The DIY Movement in Art, Music and Publishing: Subjugated Knowledges. New York & Abingdon: Routledge'. Social Anthropology/Anthropologie Sociale 26(1), pp. 286–87.

2015. ‘Sutton, David E. 2014. Secrets from the Greek Kitchen: Cooking, Skill and Everyday Life on an Aegean Island. Oakland, CA: University of California Press’. Journal of the Royal Anthropological Institute (N.S.) 21(4), pp. 939–40.

2015. ‘Born, Georgina (ed.) 2013. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge: Cambridge University Press’. Popular Music 34(3), pp. 497–99.

2014. ‘Bakrania, Falu 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press’. Journal of the Royal Anthropological Institute (N.S.) 20(4), pp. 785–86.

2014. ‘Eisentraut, Jochen 2013. The Accessibility of Music: Participation, Reception and Contact. Cambridge: Cambridge University Press’. Popular Music 33(2), pp. 367–70.

 

2013. ‘Kernfeld, Barry 2011. Pop Song Piracy: Disobedient Music Distribution Since 1929. Chicago: University of Chicago Press’. 

Books / Edited Collections

(ed.) 2020. 'Crafting Values: Economies, Ethics, and Aesthetics of Artistic Valuation'. Special Issue. Journal of Cultural Economy 13(6). (co-edited with Panos Kompatsiaris)

(ed.) 2017 (Paperback 2020). Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement. Oxford: Berghahn. (co-edited with Panas Karampampas) * 

 

* Reviewed in Social Anthropology / Anthropologie Sociale 

Journal Articles

 

 

 

 

 

 

 

 

 

 

 

 

2020. ‘Crafting Values: Economies, Ethics and Aesthetics of Artistic Valuation'. Journal of Cultural Economy 13(6), pp. 663–671. (co-authored with Panos Kompatsiaris)

2020. 'When Means and Ends Coincide: On the Value of DiY'. Journal of Cultural Economy 13(6), pp. 743–757.

 

2016. ‘The Visible Evidence of DiY Ethics: Music, Publicity and Technologies of (In)visibility in Glasgow'. Visual Culture in Britain 17(3), pp. 290–310.

 

Book Chapters

2020. 'Manifestos of Rupture and Reconciliation: Do-it-Yourself (DiY) Music Practices, Ethics and the Quest for Authenticity in the Cultural Industries'. In The Industrialization of Creativity and its Limits: Values, Politics and Lifestyles of Contemporary Cultural Economies (eds) Ilya Kirya, Panos Kompatsiaris and Yiannis Mylonas, pp. 131–148. Berlin: Springer.

2017. 'A Sense of Togetherness: Music Promotion and Ethics in Glasgow'. In Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement (eds) Evangelos Chrysagis and Panas Karampampas, pp. 139–160. Oxford: Berghahn.

2017. ‘Introduction: Collaborative Intimacies’ (with Panas Karampampas). In Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement (eds) Evangelos Chrysagis and Panas Karampampas, pp. 1–24. Oxford: Berghahn.

 

Other Publications

2019. 'Introduction: Understanding Multimodalities in Arts and Social Sciences' (co-authored with J.P. Singh). Arts & International Affairs 3(3)/4(1), pp. 1–14.

(ed.) 2012. ‘In Focus: Greece in Crisis’ (co-edited with Grit Wesser). The Unfamiliar: An Anthropological Journal 2(2), pp. 8–34.

2012. ‘Introduction. In Focus: Greece in Crisis’. The Unfamiliar: An Anthropological Journal 2(2), pp. 8–9.

Reports

2019. Appendices A and B to Singh, J.P. 2019. Culture and International Development: Towards an Interdisciplinary Methodology. A Study Commissioned by The British Council. Arlington, VA: George Mason University.

2014. Social Anthropology Honours Teaching Review Report (unpublished). University of Edinburgh.

Blog Posts

2014. ‘Ethnographic Soundings’. Social Sounds Project.

Book Reviews

 

 

 

 

 

 

 

 

 

 

 

 

 

2020. 'Amber Day (ed.) 2017. DIY Utopia: Cultural Imagination and the Remaking of the Possible. Lanham, MD: Lexington Books'. Interface: a journal for and about social movements 12(2), pp. 280–283.

2019. 'Bennett, Andy and Paula Guerra (eds) 2019. DIY Cultures and Underground Music Scenes. Abingdon & New York: Routledge'. Popular Music and Society 42(5), pp. 624–626.

 

2018. 'Lowndes, Sarah 2016. The DIY Movement in Art, Music and Publishing: Subjugated Knowledges. New York & Abingdon: Routledge'. Social Anthropology/Anthropologie Sociale 26(1), pp. 286–287.

2015. ‘Sutton, David E. 2014. Secrets from the Greek Kitchen: Cooking, Skill and Everyday Life on an Aegean Island. Oakland, CA: University of California Press’. Journal of the Royal Anthropological Institute (N.S.) 21(4), pp. 939–940.

2015. ‘Born, Georgina (ed.) 2013. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge: Cambridge University Press’. Popular Music 34(3), pp. 497–499.

2014. ‘Bakrania, Falu 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press’. Journal of the Royal Anthropological Institute (N.S.) 20(4), pp. 785–786.

2014. ‘Eisentraut, Jochen 2013. The Accessibility of Music: Participation, Reception, and Contact. Cambridge: Cambridge University Press’. Popular Music 33(2), pp. 367–370.

 

2013. ‘Kernfeld, Barry 2011. Pop Song Piracy: Disobedient Music Distribution Since 1929. Chicago: University of Chicago Press’. IASPM@Journal 3(1), pp. 93–94.

2010. ‘Kallimopoulou, Eleni 2009. Paradosiaká: Music, Meaning and Identity in Modern Greece. Farnham: Ashgate’. Popular Music 29(3), pp. 497–500.

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Popular Music and Society_ Vol 42, No 5.
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Edinburgh, UK

©2021 by Evangelos Chrysagis